Maybe there is something ageless about R.E.M. The band closed Voodoo working through some of its best known work, even from its first album Murmur and still sounded great. Its video enhancements were the best that I saw during the festival. But it was great to hear many of the early hits live and hear that the band still had the same enthusiasm for them, even if it was quite obvious visually that this isn’t the same alternative band that came out of Athens, Ga., in the ’80s.
Quintron and Miss Pussycat continued a strong line-up in the Bingo! Parlour. The group kept up a funked up vibe with Mr. Quintron’s Drum Buddy in full function through new (Swamp Puppy Bad Ass) and old work. The strange world of self-reference even extended to likenesses of the Drum Buddy on Miss Pussycat and the extra maraca girl’s dresses. It was one of the Bingo! Parlor’s better shows.
The Latin jamband
Another area of great improvement this year at Voodoo has been the parading. There are several groups on heavy rotation. The Extra Action Marching Band goes on several tours daily, as does the Noisician Coalition, pictured here rallying after a night parade. Other groups spotted circling the grounds include scooter-borne Elvi, roller girls and other groups.
In its spiffy new big top tent, the Bingo! Palour has been one of Voodoo’s best and most improved attractions. Clint Maedgen had a good day with both his Clint + 9 project and here leading the Bingo! Show. The tent has also hosted big touring acts like Man Man, the Gutter Twins and Shudder to Think. But for a mix of music, debauched clowning and boho zeitgeist, the Parlour is well worth some time on Voodoo’s final day.